Chitrakathi Art: Maharashtra's Tribal Masters of the Sacred Story
Before there were printing presses and digital screens, there were the Chitrakathi — and they painted stories of gods, heroes, and demons in colours ground from stones and plants.
Category: Arts | Origin: Pinguli, Palghar district | Medium: Natural pigments on paper
Chitrakathi (literally "picture story") is one of Maharashtra's oldest and most visually powerful folk art traditions. Practised by the Thakar and Chitrakathi communities primarily in Pinguli village in Palghar district, this art form uses bold outlines, flat colour planes, and dynamic composition to narrate scenes from the Ramayana, Mahabharata, and local folk mythology.
The Art Form
Traditional Chitrakathi paintings are made on hand-made paper using pigments derived from natural sources — ochre, lamp black, indigo, white from chalk. Outlines are painted first in black using brushes made from squirrel hair. Colour is filled in using flat, opaque strokes — there is no shading or perspective in the Western sense.
The result is a visual language that is simultaneously ancient and strikingly contemporary — bold, confident, and narrative in a way that speaks across cultural boundaries.
Storytelling as Vocation
Historically, the Chitrakathi artists were itinerant performers. They would travel from village to village, unrolling a painted scroll (pata) and singing the story it illustrated — a tradition called Chitrakatha Katha. The paintings were both musical scores and visual narratives.
This form of travelling storyteller-artist is now rare, but the painting tradition has been revived and is now collected internationally.
In a world of infinite digital images, a Chitrakathi painting — made by hand, with stone-ground colour, in a tradition a thousand years old — is an act of profound resistance and beauty.
